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Transforming Case Studies: The Art of Storytelling in Non-Tech Industries

Transforming Case Studies: The Art of Storytelling in Non-Tech Industries

A case study is a story about problem-solving. It is a success story, and case studies for non-technical businesses must excel at storytelling. The classic but sterile “problem-challenges-solution-results” format needs a makeover to grab and keep the attention of readers in low-tech, human-centered fields such as:

  • Food & Beverage
  • Real Estate and Development
  • Travel
  • Fashion
  • Franchises*
  • Education*
  • Government and Non-Profit*

*Frequently non-technical

This is just a sampling of the low-tech industries that can become subjects of creatively formatted case studies.

Unlike data-driven, classically structured case studies for high-tech business readers, these case studies need a more personalized, experiential approach. Why? Because their subjects are people-centered businesses, and as such, their readers are likely seeking more subjective insights than objective facts.

Non-technical case studies for customers, clients, or personnel in these fields could aptly be renamed or reimagined as “case stories.” The structures and formats for these case studies/stories flow from integrating the elements of good storytelling into tales of business success. What are some of those elements?

First, a good story features characters—people audiences want to learn about. It tells of their thoughts, priorities, the challenges they’ve faced, and the answers they’ve found on journeys that were not always smooth.

A good story also reaches readers on an emotional level; it piques their curiosity and leaves them wondering, “What will happen next?” As the Tide business banking website states, “If they aren’t thinking that, you’ve lost them to whatever’s next on their newsfeed.”

Lastly, a good story immerses readers in the writer’s experience so they can share in it.

In his Lifehacker article, “The Science of Storytelling,” Leo Widrich explains what happens to the human brain during this sharing process:

“When we are being told a story, things change dramatically. Not only are the language parts of our brain activated, but any other area in our brain that we would use when experiencing the events of the story are, too. Anything you’ve experienced, you can get others to experience the same. Or at least, get their brain areas that you’ve activated that way, active too.”

Sharing experiences through stories creates connections, and connecting with customers is what business case stories are meant for.

Consider Your Reader When Formatting Case Studies

To connect with customers, you must first understand who they are.

Who, exactly, will be reading your case study? Where is it being published? What age group or other demographic are you targeting?

Are your readers students, professors, restaurant owners, real estate professionals, business executives, or budget-minded travelers?

Answering these questions will help you tailor your piece to fit its audience and publication.

What kind of language, tone, and level of detail will resonate with your readers? What types of images will grab their attention? Should the piece be long, short, or somewhere in between? Should it be more formal or informal?

In general, readers in more conventional industries like development, education, and government will expect solid evidence, longer text, and a more formal language and tone.

These elements will vary with specific businesses within categories like real estate, food and beverage, travel, franchises, and nonprofits, depending on the casual or more serious nature of the business and their branding.

A case study on a burger joint chain will look, sound, and feel quite different from one on a five-star fine dining restaurant. A study on a cruise line specializing in family fun adventures will likewise differ from one that offers European cultural excursions.

Examples of Case Studies That Tell Business Success Stories

Formality and Evidence for a High-Fashion Firm

Here is an example of the more conventional type, published on the MBA Knowledge Base website.

Its readers are likely corporate retail professionals seeking to tweak their firms’ business strategies to maximize profits.

The company in the study serves the demands of its fashion-conscious customers for very personal products—the clothes they wear.

Titled “Case Study of Zara: Sustainability in the Fast Fashion Industry,” the piece details the company’s strategy to quickly discern and emulate high-fashion trends to sell at less-haute prices.

The story begins with facts that establish the fashion chain’s success: the year it started (1975), the number of countries in which it operates (62), and the number of stores it runs (2,500).

A later paragraph illustrates some of the fashion leader’s unique methods and sets a sophisticated tone:

“Their aristocratic store layout feels exclusive, as they are swish and centrally located. The company doesn’t spend much on advertising; it seeks to add value for its customers rather than spending on brand promotion. While its rivals start planning their lines, on average, nine months before they hit the shelves, Zara has a reputation for instant reactions to fashion trends and rapid restocking of stores. Zara can take a new line from initial concept to shop in just three weeks.”

One photo, showing a glitzy Zara storefront, is included, backing up the story’s “aristocratic” description. The target reader sees proof that Zara’s strategy works—encouragement to either open their own Zara store or apply the strategy within their own company.

A More Casual Look and Tone for a Barbecue Franchise

Now let’s look at an informal case study titled “Franchisee Success Story: Meg of Dickey’s Barbecue.” Published on FranchiseOpportunities.com, its likely readers are individuals looking for a great casual food business opportunity.

The piece tells the story of Meg Heintzelman’s Dickey’s Barbecue franchise in Pennsylvania. It opens with a photo of a young man enjoying a barbecue sandwich and adopts an easygoing, personal tone, speaking of the smell of barbecue and Heintzelman’s background.

Thoughts and quotes from the business owner about meeting and overcoming challenges are part of the story, as in this excerpt:

“After introducing barbecue into an area that wasn’t aware barbecue could be anything other than pork, she said there are now almost equal sales of beef and pork. Though her personal favorite is the chicken: ‘It’s like no other chicken you’re going to find; it’s just heavenly.’ Now in her seventh year, Heintzelman’s loyalty remains strong. ‘It’s kind of taken the country by storm. Have a great product, a great price point,’ she said. ‘If I have success at this, it’s because I have so much belief in the brand.’”

Through Meg’s description, readers are immersed in the taste experience customers would enjoy at their own future franchises, and they can hope to share in her success, too.

Compelling Non-Techy Case Study Formats

Below are three effective storytelling formats to consider emulating for your next published case study.

1. An Article-Style Story That Leads With a Current Trend

This type of study/story points to a trend and then shows how a business has taken advantage of it to position itself well in the industry.

The US Builders Review (USBR) website features excellent real estate development-related case studies that use an informative article format to illustrate successful company responses to trends.

For its case story on Southeast developer Lat Purser & Associates, USBR begins, “Thanks to millennials, there’s a trend afoot: walkability.

Walkability is a measure of how ‘friendly’ a neighborhood is to walking.

In an ideal scenario, employment, shopping, dining, and entertainment can all be accessed on foot rather than by car.”

The article provides some company history followed by quotes from Lat Purser’s president, Bob Otten, who explains how his firm has successfully boarded the walkability bandwagon with multifamily developments.

Otten states that Lat Purser places its developments near workplaces, grocery stores, restaurants, and entertainment, targeting millennials who prefer walking to driving.

Section headings like “Walking the Talk, Talking the Walk” and “True to Its Roots” replace the traditional “Solutions” and “Results” headings used in conventional case studies. The article’s relaxed yet detail-rich writing style is appropriate for its likely readers—industry insiders.

Which current trend is your company seeing and taking advantage of? Whatever it is, it could be a candidate for a trendy case study formatted in an article style.

2. A Personalized Business Success Story

Each of the travel advisor case studies on the Travefy website focuses on a main character—a travel advisor—and recounts their journey to success using Travefy’s systems.

The lead case study, “Perfect for the Perfectionist,” introduces travel advisor and Ebony Vacations owner Cher Bell.

The reader (a potential Travefy client) is drawn into Cher’s story with a heartfelt opening about the love of travel that inspires many agents to choose their career.

Cher tells readers, “I believe my wanderlust began at a very young age as a military brat traveling the world with my family. I quelled my thirst for travel and experiencing amazing adventures by creating customized itineraries for my family and friends.”

The story recalls the problem: Cher’s “obsessively detail-oriented” nature led her to spend excessive hours preparing trip quotes and itineraries.

With Travefy (the solution), she says she can “pull in information, websites, etc., from many destinations all over the world!”

Travefy enabled links to her website and reservation page, and using its tools helps her save time on quote and itinerary creation—time she now dedicates to activities that help grow her business. That spells “success” for Cher.

Can a client’s personal success story highlight what your business does well?

3. A Brief, Thought-Provoking Story That Shows and Tells

“A picture is worth a thousand words,” right? That maxim holds true in a case study about the Liqui Group’s interior design strategy for Verdi Italian Restaurant.

The story’s text, in just two info-packed paragraphs, is far fewer than 1,000 words. It’s just long enough to spell out how Liqui created branding and interior design that work together.

The process began with choosing a color and a name. Since the restaurant emphasized “fresh, quality produce,” the name “Verdi (meaning ‘greens’),” was chosen, says Liqui.

Varying shades of green were used in both the branding and design plan—from the logo to the green-infused interior design theme that integrated feathery hanging plants.

The short story is really brought to life with a profusion of vibrant photos and a couple of planning-phase drawings; images essential to completing the story of Liqui’s success at Verdi.

Will this tell-less, show-more method of storytelling work well for case stories about your client’s successes?

The possibilities are endless

The non-technical case study formats shown above are just a starting point. Formatting possibilities are only limited by the imagination that you, your staff, or a visionary writing agency bring to a project. There are so many ways to tell a compelling case story to non-techy readers.


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Jennifer, also known as "Rizzo," is a Denver-based writer and genealogist with a passion for history, travel, and languages. She studied Spanish at the University of Guadalajara in Guadalajara, Mexico and also lived and studied in Ancona, Italy. She also holds a certification for International Tour Management through the International Guide Academy, as well as a Genealogy certification from IAP Career College. Since joining The Writers For Hire, Jennifer has tackled a vast array of projects—from RPFs and SOPs to memoirs and company history books— and has done many in-depth genealogical research and family tree projects. She has also worked as Project Manager for various client projects, including family history books, websites, RFPs, blogs, autobiographies, and SOPs. Jennifer is our resident historian and genealogist, and can often be found examining 200-year-old books in various archive sites around the globe. She enjoys working closely with clients, and loves any opportunity that allows her to indulge her creative side.

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After putting in enough time as a busboy, a cheesesteak artist, a medical courier, and a nightclub bouncer, Peter took the logical next step—securing a position at a bicycle shop. While serving as a mechanic and a salesman, his incriminating degree in creative writing from the University of Arizona got him assigned to every additional duty that had anything to do with words. Between all the wrenching and selling, Peter wrote website copy, emails, blogs, digital and print ads, press releases, articles, advertorials, and scripts for radio and television commercials. What started as a summer job evolved into an 18-year career in the cycling industry, gaining him experience in corporate communications, public relations, social media management, event planning, marketing, and retail advertising. Since joining The Writers for Hire, Peter has branched into ghostwriting, op-eds, RFPs, SOPs, and producing work for aerospace and engineering firms, public utilities, oil and gas companies, real estate developers, and the entertainment industry. At his home base in New Jersey, Peter spends his free time souping up cheap vintage guitars, admiring his dog, and talking about moving to the Adirondacks.

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She earned her Master of Fine Arts in Creative Writing with a concentration in screenwriting from National University in La Jolla, California, and her Bachelor of Arts in Writing from the University of Tampa in Tampa, Florida. 

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Suzanne knew she wanted to be a writer at the age of ten when she wrote her first story, and has spent the past 2 decades writing blog posts, magazine articles, nonfiction and fiction books, sales letters, white papers, press releases, website copy, and anything else that can be put in written form. She has written for Intuit, Avalara, NerdWallet, GoPayment, and as a ghostwriter for a few well-known CEO’s. Her work has appeared all around the internet, including on sites like World News and Reports, Entrepreneur.com, and Forbes. She loves nothing more than being presented with a bunch of data and asked to break it down into digestible content for readers. Most days you’ll find her sitting on her porch with her laptop, writing to the sound of the ocean, and marveling that life can be this stinking good.

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Jennifer has a background in journalism and Russian area studies. She holds a BA from the University of Texas at Austin and an MSFS from Georgetown University. While in graduate school in the mid-1990s, she developed an interest in the oil and gas industry of the former Soviet Union and launched a free newsletter covering the subject. She then spent more than 20 years researching, analyzing and writing about related topics, working for multiple weekly publications and a private consulting firm. Her areas of professional interest also include energy and power in China, Iran and the Eastern Mediterranean, and for fun she researches linguistics, neuroscience and disability-related issues. She has experience in copy-editing and has frequently worked with both native and non-native English speakers, helping them to produce clear, easily understandable articles on complex political, economic, legal and technical topics. Additionally, she has managed many time-sensitive typesetting projects for community institutions. Jennifer enjoys writing personal essays and lives in Atlanta with her family.

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Brenda Hazzard has over 30 years’ experience working as a writer and editor in the private and public sectors. She spent over 20 years working for the US Government in Washington and abroad, and spent several years working with the CIA during which she managed a team of writers producing internal briefs on international news, events, and politics. She writes on a variety of topics but loves opportunities to work on projects that cater to her keen interest in international affairs. She considers herself to be an empathetic editor, one who improves a draft but lets the spirit of the writer shine through. She has also worked on dissertations, white papers, newspaper articles, and family histories.

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Carey brings more than 20 years of writing and editing experience to The Writers for Hire. A lifelong writer and reader, she holds a B.A. in English from UCLA. Her background includes writing and editorial positions with both book and magazine publishers. She has worked as a copy editor and proofreader for major advertising agencies including Ogilvy & Mather and Rubin Postaer. Her experience includes magazine feature writing and editing as well as manuscript development and editing. A former advertising sales executive, she has crafted a wide range of business, sales, and marketing communication for leading magazine publishers including Conde Nast and Hearst. She has worked with major consumer brands including Nike, Visa, Levi’s, General Motors, Microsoft, Charles Schwab, and Neutrogena.

Coralee Bechteler - Copywriter

In the past, Coralee has been an organic farmer, a chicken herder, a zipline administrative assistant, and an ESL teacher for kids. Today, she's living her childhood dream of being a writer. She currently resides in New York with her cat (and muse) Hermes and a miles-long TBR list that gets longer every day. If she's not reading or crafting, you can usually find her pulled over on a country road writing something down or picking wildflowers. Coralee holds a bachelor's degree in English, an associate's degree in Horticulture, and multiple internationally recognized software testing certifications.

Cecile Brule - Copywriter

Cecile enjoys the challenge of discovering each client’s unique strengths and presenting them to a wider audience. Since joining The Writers For Hire, she has worked on blogs, newsletters, RFPs, end-user documentation, email, social media, sales pages, biographies, op-eds, and fiction.

Previously, she taught in Shenzhen, China and obtained an HSK3 (Intermediate Mandarin) certificate. Cecile enjoys gaming, drawing, producing short films, and growing fifteen different varieties of apples with Serenity Orchards.

Rosalind Stanley - Copywriter

Rosalind Stanley grew up on the Coast of Maine and then accidentally spent fifteen years in Virginia's Blue Ridge Mountains, before moving to the Midwest. She graduated from Lynchburg College in 2008 with a B.A. in Creative Writing (and a minor in Theater Performance); ever since, Rosalind has endeavored to make writing a part of her daily life, whether creative or technical, whether as a volunteer or an employee. She has tutored students, taught workshops, edited fiction and non-fiction books, and worked as a beta reader and a legal writer. She also publishes a newsletter on Substack, where she releases her own fiction serially. When not writing, Rosalind is busy homeschooling her four children and raiding the local library for new fiction.

Sean Patrick Hill - Copywriter

Sean has been a professional writer for more than 25 years, and has an M.A. in Writing from Portland State University and an M.F.A. in Poetry from Warren Wilson College. He's the author of five books, and his writing has won him grants and fellowships from the Kentucky Arts Council, the Vermont Studio Center, the Elizabeth George Foundation, and the Regional Arts and Culture Council. He lives in Louisville, Kentucky, where he also works at his photography.

Wintress Odom - Owner / Editor-in-chief

Wintress founded The Writers For Hire in 2003 after freelancing for several years as a copywriter and editor. She has overseen, edited, proofread, or written copy for over 100 clients and is happy to have maintained long-term relationships with many of her first customers. Wintress is an exceptional proofreader and editor and has a gift for organizing large projects, including large technical manuals and manuscripts. Her educational background includes graduating cum laude from Rice University in 2000, studying at Cologne Gymnasium in Germany, and graduating valedictorian from The Science Academy of South Texas in 1994.
Wintress