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The Numbers Behind the Words: Can You Make Money Writing Non-Fiction Books?

The Numbers Behind the Words: Can You Make Money Writing Non-Fiction Books?

We all know an awful lot about something. It’s just the way people are.

Your area of expertise might be something useful, like knowing how to fix cars, or it might be something less tangible, say, an obscene amount of knowledge about cartoons from the late 1970s to the early 1980s (ruh roh, Raggy!).

Whatever the case may be, chances are that people come to you from time to time to ask your opinion about something related to your area of expertise.

Even folks who wouldn’t necessarily call themselves an authority in anything have this happen.

For some, once they hit a certain level of knowledge on a topic, the logical next step is to sit down and start writing about it.

Writing a non-fiction book can be a great way to expand on your knowledge of something and, best of all, show off how much you know about something (in a good way, not a braggy way).

Even in the digital age, when everyone is jumping on the internet to write blogs about what they know, we’re still seeing a lot of books hitting the market. In 2019 alone, more than 650 million books were sold!

But, even with all those books entering the market every year, how possible is it to actually make a living as a non-fiction writer?

Is it still possible to dedicate your life to writing about topics that you care about? Or do you have to live out your dream by supplementing your writing with a job at the mall?

Let's Take a Closer Look at the Money

The traditional book route

1. Getting a book deal.

For most of us, when we dream about writing a book, we dream about just that: a book.

Dust covers, author photos, hardcovers (and soft) and, paper pages.

Glorious, glorious pages.

It’s only natural that this is the first thing that comes to mind because, despite ebooks gaining in popularity in the last 10 or so years, people still love to get their hands on a physical book.

There’s just something about them that drives us to them.

Writers are no different. If you’ve had a dream of writing for any amount of time at all, you’ve probably spent most of that time dreaming about holding a real book with your name all over the cover.

So you decide to go for it.

The first thing that’s going to happen when you manage to snag yourself a book deal is getting an advance (I’ve cut quite a few steps out here, like finding an agent and prepping your submission, but we’re talkin’ money here).

An advance is a kind of loan that publishers use to pay you up front.

In the non-fiction world, you’re typically looking at anywhere from $5,000 to $20,000 for your first book.

As the link suggests, this can vary a lot depending on things like your level of authority, any audience you may have, and the timeliness of the topic.

Advances are usually paid out in chunks, typically in thirds.

You get the first third when you sign the contract, the second third when you turn in the manuscript, and the final third when the book is published.

These advances are then paid out by book sales and, if you’re lucky enough to pay out your advance, you start collecting royalties.

Royalties are the percentage of each book sale that an author gets.

This can range from 7.5% to 15% of the retail price depending on the kind of book that’s being sold (hardcover vs. mass market paperback vs. trade paperback vs. ebook, etc.) and the publisher.

Since all deals tend to be different, let’s say you’ve just released a book that sells for $30 as a hardcover.

If your royalty is 10%, you get $3 for each book sold.

Now, let’s also say you managed to secure a $15,000 advance.

That means you’d have to sell 5,000 copies of your book to earn out your advance.

Any books that you sell after that 5,000th book means money in the bank for you.

2. Writing your book.

OK. So, you’ve signed the contract and collected you first payment. Now what?

Well, now you write.

That initial chunk of the advance is meant to help you get through the writing phase. A non-fiction book can be a big, long, project, and it helps to have a bit of financial freedom from your job to get it done.

It’s probably going to take you anywhere from six months to a year to complete your book, depending on how much research you’ve done in advance, how well you know the source material and similar factors.

The first third of your advance is for this section.

Then there’s the editing phase.

You’re looking at another couple of months to get through this. That’s where the second third of your money goes.

3. Promotion time!

The final third of your money comes when you turn in the finished copy of your book.

Once you’ve gotten your book done and publishing dates have been set, it’s promotion time.

Yup, even if you’re with the bigger publishers, writers still end up doing the bulk of the promo work.

This is because with close to a quarter million books hitting the shelves every year, there just aren’t enough marketing people out there.

That, and frankly, no one knows your book like you do.

If you want your book to be successful, you’re going to need to market your book until you’re sick of it.

And, you’re going to have to do it every chance you get.

You’ll talk about it on social media, you’ll tell your friends, their friends, your family, their friends… Chances are, everyone who is even slightly connected to you is going to know that you have a book coming out.

And, if you’re lucky, most of them will buy it.

Going the DIY route

It wasn’t that long ago that self-publishing was seen as a bit of a fool’s errand.

Sure, you might have made some money, but the success stories were few and far between.

Flash forward to today where self-published books have been making great strides in terms of quality, being taken serious by both writers and the general public and, best of all, people have been making money doing this.

Online retailers like Amazon have made it beyond simple to self-publish a book and sell it on their site, thanks to things like Kindle Direct publishing.

Unlike the traditional publishing world, you don’t get any money up front when you go the self-publishing route.

In fact, all the associated costs of putting the book together—the ones that would have been covered by the publisher in the traditional publishing market—get covered by you.

That means you pay the editors, book designers, cover designers and all that.

All this can be done for just a few hundred with turnkey publishing sites, or for tens of thousands with elite editing and publishing services.

The more you put in at this stage, the better the chances of your book looking like it was put out by professionals and not just someone who knows Photoshop (because your book will have been put together by professionals).

But, once that’s taken care of, you get a bigger piece of the pie on the sales end.

Instead of only getting the industry standard of anywhere from 7.5% to 15%, you keep a much higher percentage after the retailer takes their cut.

In the case of Amazon Kindle Direct, you get either 35% or 70% of a sale, depending on the circumstances.

That bigger chunk of sales that you take home is going to help you pay off what was basically your advance faster (the money you spent putting your book together) and will help you start making some money.

 

What does success look like?

Best seller status is something that most writers dream of at some point or another.

It’s kind of the old school version of going viral, only with books.

Best seller lists are, as you might guess, put together based on how books are selling.

They’re calculated on a weekly basis and the criteria, data gathered, and stores used to calculate these lists tend to vary widely from list to list.

The New York Times, for example, puts together their list based on the sales from vendors across the United States, although the list is reported confidentially, so no one ever really knows for sure which stores are doing the reporting.

USA Today, on the other hand, tells you some of the vendors they rely on for their list.

And those are the easy ones to figure out.

Just look at how Amazon figures out their numbers here.

Go on. I’ll wait for a minute.

Had a look? Great. You probably noticed that for every explanation they have, there were exceptions.

The trouble with bestseller lists is, among other things, is there’s no guaranteeing anything about them.

You could have the best book in the world out there, and your book could still struggle to get on the list because of something, anything that happened in the world that week.

Take a look at the list below (from The New York Times non-fiction list), for example.

Notice that the bestselling non-fiction paper is Steven Hawking’s A Brief History of Time.

This list, as it happens, represents the week after Hawking’s death.

Things like this can throw off the momentum of just about any book, regardless of how well it has been doing in the previous week.

According to Bridget Marmion, former senior vice president of marketing for publishing houses such as Fararr, Straus and Giroux, and Random House, and founder of Your Expert Nation, being on a best seller list is always nice, but it should never be your goal.

It’s mostly because of the number of factors at play when determining the lists.

If a movie adaptation of a book happens to be coming out the same week as your book (this can happen in non-fiction as easily as it could happen in fiction, think of movies like Eat Pray Love and Wild), it’ll be a struggle to get your book on the list.

Having said that, if you can get yourself on a best seller list, it can help.

“Being on a list that is important to your audience would move the sales needle, if you’re on it for a few weeks,” says Marmion.

She adds that this can also help you with your next book, as traditional publishers are more likely to take a chance on someone whose book has been on a best seller list.

The burning question (I’m sure) is just how many books does it take to crack a best seller list?

Well, that answer, I’m afraid, is complicated.

It depends on the list, the time of year, what else is happening in the world and a host of other things.

For traditional lists like The New York Times or USA Today, those numbers look to be anywhere from 3,000 copies to 5,000 copies sold.

Getting into the Amazon Top 5 would require sales of about 300 books a day.

And, to really complicate things, it’s entirely possible to get on an Amazon best seller list by selling very few books because you’re in a category that’s so specific you’re essentially on your own.

Just check out the example located towards the end here, which hit the best seller list with only three books sold.

These numbers aren’t high, but most books, especially debut books, don’t even come close to selling that many books.

Few books earn out their advances, which means they sell enough books to pay off the advance, and the numbers for average books sold can be as little as 250 books (although like everything in the publishing industry, there’s a lot of factors at play in figuring out exact numbers like that).

So...now you've got a book out

Congrats!

It’s a great feeling being able to hold a book with your name on the front of it (trust me, I know).

At this point, you need to decide what it is you want to do with that book.

If you want that book to make money, you need to market it.

In fact, you should have started marketing it, like, six months before it came out.

Unless you’re an established name in your industry, traditional publishing houses aren’t going to put too much effort into marketing your book.

With the sheer number of books hitting the shelves every year, publishers just don’t have the time or resources to do that.

You have to be prepared to hustle and self-promote your book to make it work.

If you have any authors, fiction or non-fiction, on your social media feeds, you’ve seen them doing this before.

It takes a lot of time and energy to make it work, but if you want your book to succeed, you have to be ready.

As if this didn’t seem daunting enough, according to Nick Morgan, who helps thought leaders and public speakers publish books (among other things), most publishers give a book about two weeks to make money.

After that, a book gets remaindered, which is when a book is sent off to discount books stores or remainder bins in book stores.

That means you really have to hit the ground running with your book if you hope to get a second book, or even earn back your advance.

This can leave a lot of authors feeling betrayed, especially when you add the fact that publishers don’t really promote books enough to help you succeed.

Luckily, all is not lost.

It’s possible to use your book to help you earn money doing something else. The trick, according to Morgan, is figuring out what that something else is.

Having a book (or two) to your name is never a bad thing.

Among other things, a book helps people understand that you really know what you’re talking about, and solidifies your status as an expert in your field.

Not just anyone can sit down and write a book. It takes a solid understanding and a very firm grasp of your topic to produce a quality book.

A book helps you stake a claim as someone who is an authority on a topic.

This can be especially helpful early on in your career, when people often struggle to be taken seriously and even to make a good living.

As Morgan puts it, “You have to establish expertise via a book.” From there, you can leverage that book to grow your career.

This extra level of authority helps you almost regardless of what you do.

People are more likely to trust a vet who’s written about a pet care over one who hasn’t.

A motivational speaker who has a book is not only going to be able to charge more because of their book, but people are going to listen more. Same if you’re a journalist or a politician or an athlete.

All this means is that you have to know going in what you hope you get out of your book.

If you’re going into it expecting success and sacks full of money to start arriving at your door on the day it’s published, you’re probably going to end up disappointed.

But, if you’re willing to do the work that needs to be done (like the marketing) or you’re writing a book to help bolster some other aspect of your career, then your book is going to help you make money.

It might not be tons of money, not to start, but, like all things publishing, if you’re willing to play the long game and build up a following using that first book, it’s going to get easier and easier to make money with each subsequent book.

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Flori has a bachelor’s degree in journalism from Oakland University.

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Jessica joined The Writers for Hire after several years of technical writing for two Department of Defense contractors, where she created software documentation and online help, as well as material for the company websites and newsletters. Since joining The Writers for Hire, Jessica has become the company’s resident “Wiki guru,” and manages most of the Wikipedia projects. She also manages social media campaigns for several local businesses, provides copy and layout options for website projects, writes blog posts on topics that include the oil and gas industry, web hosting, and fashion, and writes articles, brochures, books, and press releases. Jessica has a Master’s in Technical Communication from Texas State, where she also edited and proofread articles for Center of the Study of the Southwest’s academic journals while working as a ghostwriter for Infobooks.com. She has a Bachelor of Arts degree in English from Southwestern University.

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Jennifer, also known as "Rizzo," is a Denver-based writer and genealogist with a passion for history, travel, and languages. She studied Spanish at the University of Guadalajara in Guadalajara, Mexico and also lived and studied in Ancona, Italy. She also holds a certification for International Tour Management through the International Guide Academy, as well as a Genealogy certification from IAP Career College. Since joining The Writers For Hire, Jennifer has tackled a vast array of projects—from RPFs and SOPs to memoirs and company history books— and has done many in-depth genealogical research and family tree projects. She has also worked as Project Manager for various client projects, including family history books, websites, RFPs, blogs, autobiographies, and SOPs. Jennifer is our resident historian and genealogist, and can often be found examining 200-year-old books in various archive sites around the globe. She enjoys working closely with clients, and loves any opportunity that allows her to indulge her creative side.

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After putting in enough time as a busboy, a cheesesteak artist, a medical courier, and a nightclub bouncer, Peter took the logical next step—securing a position at a bicycle shop. While serving as a mechanic and a salesman, his incriminating degree in creative writing from the University of Arizona got him assigned to every additional duty that had anything to do with words. Between all the wrenching and selling, Peter wrote website copy, emails, blogs, digital and print ads, press releases, articles, advertorials, and scripts for radio and television commercials. What started as a summer job evolved into an 18-year career in the cycling industry, gaining him experience in corporate communications, public relations, social media management, event planning, marketing, and retail advertising. Since joining The Writers for Hire, Peter has branched into ghostwriting, op-eds, RFPs, SOPs, and producing work for aerospace and engineering firms, public utilities, oil and gas companies, real estate developers, and the entertainment industry. At his home base in New Jersey, Peter spends his free time souping up cheap vintage guitars, admiring his dog, and talking about moving to the Adirondacks.

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Morgan has worked in marketing and communications for more than eight years, with a primary focus on copywriting and content creation. Throughout her years of experience, she has written and edited almost every kind of copy imaginable – magazine articles, blog posts, website copy, brochures, press releases, nonfiction books, newsletter articles, brand guidelines, and more – for both B2B and B2C audiences in a wide array of industries, including energy, technology, finance, healthcare, education, travel, retail, and more. In addition to her creative skills, Morgan has technical expertise in HTML coding and utilizing content management systems (e.g. WordPress) and email platforms, such as MailChimp, ExactTarget, and Constant Contact. With a lifelong interest in language, it is not surprising that Morgan has a bachelor’s degree in German and Linguistics from Rice University, where she studied more than eight languages. In 2011, she received her master’s degree in Advertising from The University of Texas, where she was accepted into the elite Texas Creative Program for her copywriting skills. In her free time, Morgan enjoys writing personalized picture books for friends and family.

Shelley Harrison Carpenter - Copywriter

Shelley’s love of words began in first grade, composing poems for her dear teacher and mentor, Mrs. Blanchard. Her writing career began with several years as a county newspaper reporter, where she developed a love for interviewing all sorts of people. Besides feature writing, her news beats included city government, education, and nonprofits of every stripe. As a determined “adult student,” Shelley graduated summa cum laude from the University of North Carolina at Greensboro in 2010 where she also wrote profiles of outstanding adult students for a “Web Weekly” newsletter and edited a grant proposal for a campus office. After college, she wrote English instructional materials, website copy, product copy, and blogs before joining two construction and development ezines as a staff writer, happy to be conducting interviews for each assignment. Several years of intervening employment in corporate merchandising and HR deepened Shelley’s understanding of the workings of larger companies and the written content they require. She now loves being part of the writing teams at The Writers for Hire. When not at a keyboard, she can be seen jogging in her Southern neighborhood or found holed up with a biography, a vegetarian cookbook, or a vintage TV show.

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Melanie Green is a Tampa-based writer and editor, with a focus on digital marketing content. She has more than 15 years of experience writing professionally, including time spent as a full-time employee of McKinsey & Company, Nielsen, and The Business Observer. She loves to write blog posts, website pages, press releases, RFPs, and whitepapers for companies of all sizes in the United States. 

She earned her Master of Fine Arts in Creative Writing with a concentration in screenwriting from National University in La Jolla, California, and her Bachelor of Arts in Writing from the University of Tampa in Tampa, Florida. 

Carol Kim - Copywriter

Carol Kim is a versatile freelance copywriter who specializes in content marketing, blog posts, website content, and email marketing for business clients. She especially enjoys diving into research and discovering what makes every company unique. Carol holds a bachelor’s degree from Pomona College and a Master’s in Public Affairs from the LBJ School at the University of Texas at Austin.

Carol is also a children’s book author, having written several fiction and nonfiction books for the educational market. She especially loves helping kids learn about the environment and social sciences. Her first nonfiction picture book from a trade publisher is due to be released in fall 2021. 

Martha Scott - Copywriter

Martha Scott’s technical writing career began on a contract at Houston’s Johnson Space Center. She edited papers for scientific journal publication, documents for departments across the site, and a book about a proposed crew escape vehicle. She produced a yearly booklet describing Shuttle contract cost-saving measures, the mission managers’ Flight Data Pack, and a 45-page booklet called Charting a Course to the Year 2000 and Beyond describing plans to develop additional space vehicles and prepare for manned Mars explorations. At Invesco, Martha edited and contributed to two company newsletters (online and hardcopy). She wrote software user manuals, Help files, Training and Benefits department documents, and, finally, shareholder reports. She returned to aerospace for the Shuttle Program’s last 5 years where she attended and produced detailed descriptions of presentations and subsequent discussions at the Orbiter Configuration Control Board’s weekly meetings. She also documented crew debriefings for 17 flights. Martha’s most recent experience was on Jacobs Engineering’s contract with a Texas City refinery for which she wrote and edited Engineering, Safety, Inspection, and Information Systems documents.

Suzanne Kearns - Copywriter

Suzanne knew she wanted to be a writer at the age of ten when she wrote her first story, and has spent the past 2 decades writing blog posts, magazine articles, nonfiction and fiction books, sales letters, white papers, press releases, website copy, and anything else that can be put in written form. She has written for Intuit, Avalara, NerdWallet, GoPayment, and as a ghostwriter for a few well-known CEO’s. Her work has appeared all around the internet, including on sites like World News and Reports, Entrepreneur.com, and Forbes. She loves nothing more than being presented with a bunch of data and asked to break it down into digestible content for readers. Most days you’ll find her sitting on her porch with her laptop, writing to the sound of the ocean, and marveling that life can be this stinking good.

Jennifer DeLay - Copywriter

Jennifer has a background in journalism and Russian area studies. She holds a BA from the University of Texas at Austin and an MSFS from Georgetown University. While in graduate school in the mid-1990s, she developed an interest in the oil and gas industry of the former Soviet Union and launched a free newsletter covering the subject. She then spent more than 20 years researching, analyzing and writing about related topics, working for multiple weekly publications and a private consulting firm. Her areas of professional interest also include energy and power in China, Iran and the Eastern Mediterranean, and for fun she researches linguistics, neuroscience and disability-related issues. She has experience in copy-editing and has frequently worked with both native and non-native English speakers, helping them to produce clear, easily understandable articles on complex political, economic, legal and technical topics. Additionally, she has managed many time-sensitive typesetting projects for community institutions. Jennifer enjoys writing personal essays and lives in Atlanta with her family.

Dana Robinson - Copywriter

Dana Robinson has been writing and editing professionally for 10 years, publishing her first article in 2007. She serves as Editor-in-Chief of a local online magazine and is a contributor to various Houston print publications. She honed her experience writing newsletters and managing social media for small businesses and non-profits before moving on to e-books, magazines, and non-fiction books for print. She also enjoys teaching creative writing workshops for children. Dana received her formal education at the University of Houston–Downtown, where she majored in professional writing, minored in creative writing, and was the recipient of the Upper Division Writing award for best essay. She completed internships with Writers In The Schools and The Bayou Review.

Brenda Hazzard - Copywriter

Brenda Hazzard has over 30 years’ experience working as a writer and editor in the private and public sectors. She spent over 20 years working for the US Government in Washington and abroad, and spent several years working with the CIA during which she managed a team of writers producing internal briefs on international news, events, and politics. She writes on a variety of topics but loves opportunities to work on projects that cater to her keen interest in international affairs. She considers herself to be an empathetic editor, one who improves a draft but lets the spirit of the writer shine through. She has also worked on dissertations, white papers, newspaper articles, and family histories.

Adelia Ritchie - Copywriter

Adelia is a scientist, educator, technical writer and editor, poet, and blogger about her Pura Vida lifestyle in Costa Rica. She has more than 40 years experience writing professionally, including her years at Science Applications International Corp., Bechtel Corporation, Defense Acquisition University, and the Department of Defense. She earned her Doctor of Philosophy in Physical Organic Chemistry at Northwestern University in Evanston, Illinois, and her Bachelor of Science in Chemistry and Physics from the University of West Florida in Pensacola, Florida.

Carey Miller - Copywriter

Carey brings more than 20 years of writing and editing experience to The Writers for Hire. A lifelong writer and reader, she holds a B.A. in English from UCLA. Her background includes writing and editorial positions with both book and magazine publishers. She has worked as a copy editor and proofreader for major advertising agencies including Ogilvy & Mather and Rubin Postaer. Her experience includes magazine feature writing and editing as well as manuscript development and editing. A former advertising sales executive, she has crafted a wide range of business, sales, and marketing communication for leading magazine publishers including Conde Nast and Hearst. She has worked with major consumer brands including Nike, Visa, Levi’s, General Motors, Microsoft, Charles Schwab, and Neutrogena.

Coralee Bechteler - Copywriter

In the past, Coralee has been an organic farmer, a chicken herder, a zipline administrative assistant, and an ESL teacher for kids. Today, she's living her childhood dream of being a writer. She currently resides in New York with her cat (and muse) Hermes and a miles-long TBR list that gets longer every day. If she's not reading or crafting, you can usually find her pulled over on a country road writing something down or picking wildflowers. Coralee holds a bachelor's degree in English, an associate's degree in Horticulture, and multiple internationally recognized software testing certifications.

Cecile Brule - Copywriter

Cecile enjoys the challenge of discovering each client’s unique strengths and presenting them to a wider audience. Since joining The Writers For Hire, she has worked on blogs, newsletters, RFPs, end-user documentation, email, social media, sales pages, biographies, op-eds, and fiction.

Previously, she taught in Shenzhen, China and obtained an HSK3 (Intermediate Mandarin) certificate. Cecile enjoys gaming, drawing, producing short films, and growing fifteen different varieties of apples with Serenity Orchards.

Rosalind Stanley - Copywriter

Rosalind Stanley grew up on the Coast of Maine and then accidentally spent fifteen years in Virginia's Blue Ridge Mountains, before moving to the Midwest. She graduated from Lynchburg College in 2008 with a B.A. in Creative Writing (and a minor in Theater Performance); ever since, Rosalind has endeavored to make writing a part of her daily life, whether creative or technical, whether as a volunteer or an employee. She has tutored students, taught workshops, edited fiction and non-fiction books, and worked as a beta reader and a legal writer. She also publishes a newsletter on Substack, where she releases her own fiction serially. When not writing, Rosalind is busy homeschooling her four children and raiding the local library for new fiction.

Sean Patrick Hill - Copywriter

Sean has been a professional writer for more than 25 years, and has an M.A. in Writing from Portland State University and an M.F.A. in Poetry from Warren Wilson College. He's the author of five books, and his writing has won him grants and fellowships from the Kentucky Arts Council, the Vermont Studio Center, the Elizabeth George Foundation, and the Regional Arts and Culture Council. He lives in Louisville, Kentucky, where he also works at his photography.

Wintress Odom - Owner / Editor-in-chief

Wintress founded The Writers For Hire in 2003 after freelancing for several years as a copywriter and editor. She has overseen, edited, proofread, or written copy for over 100 clients and is happy to have maintained long-term relationships with many of her first customers. Wintress is an exceptional proofreader and editor and has a gift for organizing large projects, including large technical manuals and manuscripts. Her educational background includes graduating cum laude from Rice University in 2000, studying at Cologne Gymnasium in Germany, and graduating valedictorian from The Science Academy of South Texas in 1994.
Wintress